Have you seen the Musical " Mountains Migrants " held Wednesday, April 30, 2008, 21:00 Auditorium S. Chiara in Trento, in the 56th Film Festival of the Mountain?
E 'was an event .... I
Gianni call that morning, my dear friend of Turin, who asked me if I am lucky enough to go see the Musical above. I fall from the clouds, although a careful and sympathetic 'corner' and other familiar actors and active this environment, what I had missed. "But it is a national first, under the direction of Maurizio Nichetti great," he says Gianni, "here refer to it as an event that could change the approach to the public, which always more tapers in the audience ...", when you must produce a popular chorus. It 's true, how many things are invented Cori popular rejuvenate and try to get close to young and less attention to this folklore. It makes me San Remo in mind in 2007 when the remarkable Antonella Ruggero leading a chorus amalgamated his beautiful voice, with thirty singers accustomed to other audiences and other harsh voice. I remember the constant chased other choirs with marching bands or symphony orchestras but still very productive, almost ephemeral. Why? Because if that still holds true: "Muhammad does not go to the mountain ... "Then the chorus could adapt, but perhaps not a role of the chorus, but as someone else ... the group air mixtures that has created a new way of interpreting the folk song and not only made it pleasant, and lively pace. Professionals, talented, virtuous well supported by a team of audio and lighting technicians, as well as a pleasant visual multimedia graft, which has not spoiled anything for the whole characteristic of the show.
But we come to the musical, which tells the story of a troubled immigrant Tirol, at the end of 800, the Trentino was part dell'Austrungheria then he left with his bag full of nostalgia and traditions which you do not know off, in search of the fortune that the homeland has not been able to provide. Even the interpretation of Henry Tavernini co-author and protagonist, has well-annotated and highlighted the moments sometimes tragic and sometimes intoxicating, our virtual character. These, ranging in his wanderings, from the slopes of the Latin American Andean Cordillera at the steepest slopes of the Himalayas gradually from vent to remember, swaying in the notes of songs that have accompanied him in childhood. In these reminiscences is inserted several times SOSAT Choir, performing in traditional folk songs and acting as a springboard for the imagination without boundaries of our protagonist, who adapts to Depending on the country in which one finds both the melody and the poetry, rhythmic and musical context, creating new interpretations that are more and more his own.
Congratulations to the author and musician Mr. Charles Casillo, once one would have said "a volcano of energy", but I think today can be defined as a coherent adapter of traditional and popular songs, close to the sensitivity of the new generations . In short, a modern minstrel, capable of transmitting, in modern terms, those traditions and values \u200b\u200bthat otherwise might grow mold in the presence of mummies singing.
We wanted a new "prophet" of the popular song. Congratulations
air mixtures , continue on this road and you lose, because we've got the new sound and vibration, which so rarely these days you can try.
Mariano Pisetta
E 'was an event .... I
Gianni call that morning, my dear friend of Turin, who asked me if I am lucky enough to go see the Musical above. I fall from the clouds, although a careful and sympathetic 'corner' and other familiar actors and active this environment, what I had missed. "But it is a national first, under the direction of Maurizio Nichetti great," he says Gianni, "here refer to it as an event that could change the approach to the public, which always more tapers in the audience ...", when you must produce a popular chorus. It 's true, how many things are invented Cori popular rejuvenate and try to get close to young and less attention to this folklore. It makes me San Remo in mind in 2007 when the remarkable Antonella Ruggero leading a chorus amalgamated his beautiful voice, with thirty singers accustomed to other audiences and other harsh voice. I remember the constant chased other choirs with marching bands or symphony orchestras but still very productive, almost ephemeral. Why? Because if that still holds true: "Muhammad does not go to the mountain ... "Then the chorus could adapt, but perhaps not a role of the chorus, but as someone else ... the group air mixtures that has created a new way of interpreting the folk song and not only made it pleasant, and lively pace. Professionals, talented, virtuous well supported by a team of audio and lighting technicians, as well as a pleasant visual multimedia graft, which has not spoiled anything for the whole characteristic of the show.
But we come to the musical, which tells the story of a troubled immigrant Tirol, at the end of 800, the Trentino was part dell'Austrungheria then he left with his bag full of nostalgia and traditions which you do not know off, in search of the fortune that the homeland has not been able to provide. Even the interpretation of Henry Tavernini co-author and protagonist, has well-annotated and highlighted the moments sometimes tragic and sometimes intoxicating, our virtual character. These, ranging in his wanderings, from the slopes of the Latin American Andean Cordillera at the steepest slopes of the Himalayas gradually from vent to remember, swaying in the notes of songs that have accompanied him in childhood. In these reminiscences is inserted several times SOSAT Choir, performing in traditional folk songs and acting as a springboard for the imagination without boundaries of our protagonist, who adapts to Depending on the country in which one finds both the melody and the poetry, rhythmic and musical context, creating new interpretations that are more and more his own.
Congratulations to the author and musician Mr. Charles Casillo, once one would have said "a volcano of energy", but I think today can be defined as a coherent adapter of traditional and popular songs, close to the sensitivity of the new generations . In short, a modern minstrel, capable of transmitting, in modern terms, those traditions and values \u200b\u200bthat otherwise might grow mold in the presence of mummies singing.
We wanted a new "prophet" of the popular song. Congratulations
air mixtures , continue on this road and you lose, because we've got the new sound and vibration, which so rarely these days you can try.
Mariano Pisetta
PS: DO NOT MISS 'performance by 21/11/2009 in Bolzano - Bolzano Teatro Comunale h 21.00,
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